20 Dec

The Artist, the Lady and the Tiger

In my reading about the zoo, I learned about the American painter Frederick Stuart Church, who regularly used the animals of the zoo as models. It seems he was quite fond of depicting young ladies in company with big cats. He wrote a rambling illustrated article about his work and experiences for Scribner’s Magazine in December 1893, Vol. XIV, No. 6, which I found entertaining and intriguing.

Excerpts from “An Artist Among Animals,” written and illustrated by F.S. Church

Frederick Stuart Church illustration for Scribner's

I saw a young girl in the lion-house at the Central Park Zoo modeling a tiger. One morning I watched her for some time, and after she got through her work and was about to go, she took a rose from her dress and threw it into the animal. You know some of the cat family are very susceptible to the different odors, and the action of that tiger must have astonished the young girl. There was every expression of animal gladness in the way that he fondled and caressed the flower. I suggested to the young lady that it might be perfectly safe for her to go in the cage, the tiger seemed in such an amiable mood. She seemed half inclined to act on my suggestion and go in, but perhaps it was just as well she didn’t. You can never trust them.

After reading the first bit, which had come up on my search for “Central Park Zoo,” I assumed, as you may have up to this point, that this was a piece about the practice of drawing and sketching live animals, and maybe the exotic options available at the zoo. But Church, as a working artist, took commissions and therefore shares this anecdote.

I have a sketch on my wall–a rough cartoon of a tigress creeping up through the jungle with a most wicked glare in her eye, as if about to spring on a very pretty young woman in diaphanous drapery, who is seated on a bank with her feet in the water, apparently dreaming over a lapful of lotus flowers. That picture was suggested, and an order given to paint it, by a young New England girl, who is, or thought she was, a “reincarnationist.” She was one of the finest specimens of New England beauties I have ever seen, from the best old Puritan and Hugenot stock, her father, a magnificent specimen of manhood, following in the faith of his fathers; but she, in a future state, expected or hoped to take the form of a tigress, and go around eating up good-looking young girls. Queer idea, wasn’t it, and she had such a sweet and sympathetic disposition?Frederick Stuart Church illustration for Scribner'sI took the order, but do you know I was never able to make that animal take the fatal leap. With a great  of persuasion I induced Mr. Conklin, the former careful and thoroughly experienced superintendent at the Central Park Zoo, to allow a tiger to be enraged up to a most desperate point, by having a young bear cub placed dangerously near his cage, and I made lots of studies in movement and expression of that animal’s most ferocious efforts to get at that cub, but it was of no use. I then changed the whole idea, and made a recumbent tigress looking up with a most placid expression into the face of the young woman, who still continued to dream over the lilies. The “reincarnationist” was disgusted, and I sold my “idyl” at a quarter of the price to “another fellow.” That change of expression cost me $750, and should have taught me a lesson, which some of my realistic friends would say served me right.”

Wait, what?

First, what about this New Englander of good Puritan and Hugenot stock casually appropriating ideas of reincarnation????

Second, she sounds like some kind of badass wanting to be reincarnated as a lady-eating tiger.

Third, that was an amazing character sketch of both the lady and the artist.

You can see that I really had to share once I read that bit. There’s more. Church wasn’t just about the drawing of ladies with animals. Apparently he was also about allegory.

Knowledge is Power by Frederick Stuart Church

One of my female critics, who is not in sympathy with my work, was looking the other day at a picture of mine which I call “Knowledge is Power.” It represents a young girl in college gown reading to a lot of tigers. The lady said: “If anyone needs knowledge that girl does, or she wouldn’t be such a stupid fool as to sit among a lot of tigers.” An excellent criticism from her stand-point, but perhaps it is not what I am getting at.

Okay, Church, you don’t understand the feelings of the “reincarnationist” and your female friends may not understand your philosophy either. I guess it’s a draw? At least you can idealize the nature of the female cats.

I paint the lioness much more than I do the lion. Probably few notice the difference, but I use the tigress in all my pictures in preference to the male. There is something in the female of the cat species, particularly, that appeals to much more than the male. She has certain lines, movements, alertness and quickness of perception, with a sort of you-had-better-look-out expression, which I don’t see in the male. I often think of that tigress I read of in a report of the London Zoo, who, accompanied by her two cubs, stealthily approached in the middle of the night a small temporary board shanty, where some native East Indian railroad workmen were sleeping. Leaving her cubs at the door, she stole in, grabbed one of the sleeping men, and made off with him before the horrified occupants could realize the situation.

Illustration by Frederick Stuart Church for Scribner'sJust think the peculiar intelligence shown not only in her successful raid, but in her instructions to her cubs, who she made wait outside for her while she did her terrible work!

This bit put me in mind of Kipling’s 1911 poem The Female of the Species, which concludes most stanzas with “The female of the species is more deadly than the male” and posits that females are fierce because they have an unshakeable instinct to protect their young, while males can be logical. For a reply to that, I recommend Charlotte Anna Perkins Gilman’s reply More Females of the Species.

But the poetry is a tangent away from F.S. Church. My imagination is particularly fired, not by his ideas about the females of the species, or by the allegorical meanings of the women he painted, but by the women he describes interacting with: the female painter, the critic, and, of course, the “reincarnationist.”

I had been thinking to make one of my heroines involved in spiritualism or vaudeville in some way, and the idea of a young lady of New England who wishes she were a tigress seems like it could play into that beautifully.  There is something there about women looking for more expansive role in society and not wanting to be confined by the feminine ideals of the time. Why be the allegorical beauty reading to the tigers when you could be the tiger? Her explicit desire is to be a tigress who will “go around eating up good-looking young girls”! She seems ready to completely destroy and discard the current female role. Definitely a suffragist. Perhaps ready to smash the patriarchy as well. I’ll just have to be careful that she doesn’t cross over into Spirit Weavers Gathering territory…

You can see more examples of Church’s work on the Wikimedia Commons, as well as on artnet.com and americangallery19th.wordpress.com. In addition to ladies and big cats, he also painted ladies with polar bears or flamingos, or even by themselves without animal companions.

18 Dec

The Central Park Menagerie

Here’s another historical article I’m sharing from my research reading on Gilded Age New York. This is from The Epoch, Vol. III, No. 73. June 29, 1888, and was written by William A. Conklin, Superintendent of the Menagerie from the 1860s through the 1880s.

I found it by turns informative, amusing, and sad. Conklin provides a history of the institution and is transparent about facts and figures, but, unsurprisingly I suppose, still manages to display the racism of the times. He follows up an anecdote about how he’d intended for a chimpanzee to be named “Uncle Remus” with a note that that primate could be sold for $5,000 any day they cared to put him on the market.

The Menagerie in Central Park has been a gradual growth. It started in 1860 with a few white swans, some of them presented by the city of Hamburg, Germany, and others given respectively by the Vintners and Dyers Companies of London. In 1862 a monkey was added. It was the gift of Mr. Frank Towle of New York, whose brother has lately been appointed one of the Park Commissioners.

In the early days the money needed for the care and support of the animals was paid out of the regular fund appropriated to meet the expenses of the Park; we found it rather difficult to manage the enterprise in this way, for the Superintenden[sic] of the Park very naturally objected to having Park money used for the animals whose expenses were taken from money that should have gone to the support of labor.

It was not until 1882 that the Board of Apportionment recognized the Central Park Menagerie. In that year the Board appropriated $15,000 for its maintenance. That did not go far in the purchase of specimens and was used principally for the care of the animals and for repairs to the buildings. The animals were first kept in the basement and on the second floor of the Arsenal, which was a State institution up to the year 1857, when the portion of the city where it is located was taken for Park purposes.

In 1883 the Board of Apportionment gave $18,000 for the Menagerie, and since then the appropriation has been gradually increased until now the amount received is $30,000 a year. Out of this sum are paid all expenses for repairs to the buildings, food for the animals, wages for the keepers and for additions to the collection.

It is not, I think, unjust to say that the Menagerie is the most attractive feature of Central Park. Nine out of every ten persons who enter the Park by the lower entrances wend their way to the Menagerie, and strangers visiting the city from all parts of the world are sure to pay the animals a visit. People take great pleasure in looking at live animals–very few care for the stuffed collections. In fine weather we have daily from 100,000 to 125,000 visitors. One day last Summer I had an actual count made of the persons coming through the two entrances to the grounds between the “rush” hours of two and six P.M. The number reached 77,000, which represents quite a mass of humanity.

The Central Park Menagerie now contains specimens from the different varieties of genera such as the rhinoceros, hippopotamus and elephant; specimens of the carnivora, such as tigers, leopards, jaguars, pumas and hyenas. Of birds we have not a very large collection. We have a few Australian ostriches, some parrots, a number of small singing birds, some cranes; our water fowl are scattered over the lakes.

Our most distinguished guest is the chimpanzee, “Mr. Crowley.” Just as I received him into the collection I was starting for Europe. In answer to the keeper’s question as to what we should name the new arrive, I said: “Call him Uncle Remus”–having in mind the negro story-teller of the South. The keeper did not remember the name, and substitute that of “Mr. Crowley,” which he has retained ever since. It is safe to say that he is the most notable “Mr.” in America. Like a great many pubic men, however, I must confess that “Mr. Crowley” owes his reputation to the newspapers; he has been “written up” by countless journalists in all parts of the country. “Mr. Crowley’s” money value is $5,000, i.e. we could get that sum for him any day we wanted to sell him. The two hippopotami and the rhinoceros are each worth $5,000, and as they grow larger each year their value increases.

Young lions are worth more than old ones. The average age of a lion in captivity is about fifteen years. It may not be generally known that animals captured in a wild state are more easily tamed than young ones brought up in captivity. When the lion is captured his temper is broken by the rough treatment he receives from the natives who capture him. Thus he becomes afraid of man. The young ones, on the countrary, brought up in captivity, seeing humans around them constantly, get used to the sight, retain their wild nature and often show it.

It is said, as in the story of Androcles and the lion, that wild animals exhibit gratitude for favors received. We do not see that trait displayed, possibly because we are not placed in opportunities to show any remarkable favors. It is true, however, that animals become attached to keepers who are constantly with them and who give them their food. The secret of lion-tamers going into the cages of the animals is simply that they are fearless of harm, the lions see, intuitively, that the man before them has no fear and knows he is their master. It is an apt illustration of the influence of mind over matter. I could go into any of our cages of wild animals without fear of being harmed because the animals would see that I was not afraid of them. But there are times when a wild beast, just like a man, is in an angry mood and out of sorts, and when it would be dangerous to molest him.

Animals are subject to some of the diseases that are peculiar to man, want of exercise affects the regularity of some of the natural functions, and this is a trouble that has to be constantly looked after. They take cold easily and their lungs are liable ot be affected. These remarks apply both to the larger and the smaller animals.

The hot weather affects the appetite of the carniverous [sic] animals. They are fed 250 pounds of meat a day in the cold weather, and in the warm weather, from the first of June until the middle of October, they get only 200 pounds a day. We feed the carnivora but once a day, which we find better than allowing them to eat twice a day. The hay-eating animals are fed twice a day, and as to the elephants, it may be said that they eat all the time; they eat grain, hay and fresh mown grass.

The carnivora eat horse meat. We purchase old horses that have outlived all their usefulness and kill them ourselves, so that our meat costs us about a cent and a half a pound.

An animals appetite falls off in Summer just like man’s; he cannot eat so much and, like a man, in hot weather, he feels heavy and sluggish, walking languidly up and down his cage, or, lying down in it overcome by a dull, stupid feeling.

Appleton's Weekly published lists of new additions to the Central Park MenagerieWe buy nearly all our animals from F.J. Thompson of New You city. He is the largest dealer in the business and supplies nearly all the “shows” in the country. He is the American representative of Hagenbeck, of Hamburg, Germany, and Jamrach of London, the two largest animal dealers int he world who have their agents in the wildest parts of the Eastern countries where the most curious and wonderful specimens of animal life are to be found.

The price paid for animals varies very much. A good male lion is worth $1,000, and a tiger, $1,200; leopards costs $350; for monkeys we pay from $10 upwards, according to the species. Ordinary East India or African monkeys are worth about $10, and monkeys of rare species costs as high as $30, $40 and $50 each. For the female Chimpanzee in the Central Park I paid $500. The best speaking parrots are either the African or the Mexican double yellow head. For young birds of this species the dealers pay $10 apiece when buying a number at a time, retailing them at $15 and $20 each. The old, talking birds of this variety are worth from $40 to $100 apiece, the price depending of the number of words that the parrot can talk.

The Central Park Zoo was brought to my attention after listening to an episode about it on The Bowery Boys podcast, which mentions the 1874 hoax perpetrated by the New York Herald, which falsely claimed that many of the animals had escaped and were rampaging through the city, leaving death and destruction in their wake. It’s an interesting bit of history, but significantly before my own setting in 1896, so I don’t get to use it this time around. I did, however, decide to send some of my characters on a visit to the Zoo and, having read Conklin’s numbers, I’m confident that it was a popular pastime and a plausible thing for them to do!

Also recommended, the fiction story “How I Happened to Marry,” which begins at the bottom of page 407 in the same publication.